July 19, 2019July 19, 2019 Lauren Van Hemert

Review: A Polished ‘Lady Day at Emerson’s Bar and Grill’ Rivals Any Professional Production and Raises the Bar for NRACT

July 15, 2019July 15, 2019 Lauren Van Hemert

Review: Well-Paced Staging and a Captivating Performance Make the Theatre Raleigh Production of ‘I Am My Own Wife’ a Triumph

July 6, 2019July 6, 2019 Lauren Van Hemert

Review: NC Theatre’s High-Octane Master STAS Production of ‘Bring It On’ is Something to Cheer For

June 28, 2019June 29, 2019 Lauren Van Hemert

Guest Blog Post: Tamara Kissane Writes About the Birth of Her Audio Drama MASTER BUILDER

June 26, 2019June 26, 2019 Lauren Van Hemert

Review: Part Profound, Part Problematic, Burning Coal’s Production of Caryl Churchill’s Shorts Makes for a Curious Theater Experience

June 21, 2019June 21, 2019 Lauren Van Hemert

Review: University Theatre’s ‘Bright Star’ Just Might Be the Feel-Good Show of the Summer

June 19, 2019June 20, 2019 Lauren Van Hemert

Review: Justice Theater Project’s ‘Caroline, or Change’ is a Master Class in Musical Theater

June 19, 2019June 19, 2019 Lauren Van Hemert

Review: Forest Moon’s Engaging ‘Vanya and Sonia and Masha and Spike’ Mirrors Life but Lands Soft

June 18, 2019June 18, 2019 Lauren Van Hemert

Review: NRACT’s Production of the World Premiere of ‘Gay Card’ Showcases Young Talent and Its Significance Should Not Be Overlooked