


Review: WTF’s Virtual Fringe Festival is Off to a Strong Start
Embracing both the challenges and opportunities of technology, the Women’s Theatre Festival Fringe series streamed a variety of “live” performances on Saturday night, providing a possible glimpse of how we might be experiencing theatre as the coronavirus pandemic continues. Read what Kim Jackson has to say about the first weekend of virtual productions.

Review: Burning Coal’s ‘Accord(ing)’ is a Stunning Respite From and Reminder Of the Times
Burning Coal Theatre’s production of Accord(ing) by co-creators and directors Bronwen Carson and Vieve Radha Price, presented in collaboration with SoundingLine Arts and TÉA Creative, is an immersive sensory experience that explores how individuals struggle with a variety of internal and external forces when making decisions. Read Kim Jackson's review.

Theater Review: Bare Theatre’s Spirited MARAT/SADE is Worth a Visit to the Asylum
The full title of the 1963 play by Peter Weiss effectively sums up the plot: The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum […]

Theater Review: Julius Caesar Maintains Tradition with Visual Flair
Andrew Borba, Artistic Director of The Chautauqua Theater Company, guides PlayMakers’ production of William Shakespeare’s Julius Caesar with a keen focus on adhering to the intentions of the original text.